My Kind of Town: Bob Barton
AT Editor2022-08-24T12:25:50+01:00An accidental visit to Honfleur in Normandy has lead Bob Barton to return on numerous boat voyages.
Dispatches from Dublin: Dan Gleeson, Schüco
Nelly Greig2025-12-11T11:29:04+00:00Dan Gleeson, Sales Director at Schüco UK and Ireland, discusses the increased demand for sustainable façade solutions, and rise in complex refurb projects, making collaboration critical to successful delivery.
Dispatches from Dublin: Andrew Clancy, Clancy Moore Architects
Nelly Greig2026-02-20T17:28:43+00:00Andrew Clancy, Director of Clancy Moore Architects, discusses how working across Ireland, the UK, and Switzerland shapes his approach to European architecture, and highlights the unique strengths and collaborative opportunities each context offers.
Planning policy and whole life carbon
Isolde Brampton-Greene2023-04-11T11:49:13+01:00Barrister Estelle Dehon KC makes the case for whole-life carbon assessments and outlines the regulatory, policy and legal issues that are transforming planning departments’ attitudes to demolition and retrofit
5 minutes with… Fiachra McCarthy and Gjiltinë Isufi
Nelly Greig2026-03-20T11:13:44+00:00The winners of The 2026 LINA Writing Award discuss In Deep Trouble: The Trepça Mine, a project commissioned by the Irish Architecture Foundation and produced in collaboration with dpr-barcelona exploring the architecture of the Kosovan mine through it's lift shaft that reaches a depth of 850 metres providing access to a network of kilometres of tunnels.
Dispatches from Egypt: Heneghan Peng on the Grand Egyptian Museum
Nelly Greig2026-03-20T12:32:02+00:00Róisín Heneghan and Shih-Fu Peng won the international competition for The Grand Egyptian Museum in 2003 against 1557 entries, with a practice of four. They turned to Snøhetta's Craig Dykers and Nick Schumann for advice, and describe how the practice has changed since.
Dispatches from Berlin: plattenbaustudio
Nelly Greig2026-03-20T12:39:36+00:00Jennifer O'Donnell from plattenbaustudio speaks to AT about their practice: from drawing 'as a means of transmission', to how Berlin made them stay and why Dublin keeps calling them back.