George Dawes and Oliver Bindloss discuss how the practice’s approach to materiality is being driven by its predominantly rural workload, interest in collaborating with local craftspeople, and desire to produce cost-effective buildings that stand the test of time.
Watch the AT webinar, in partnership with Geberit, exploring ways of designing more productive and fulfilling workplaces.
Milient explores how its innovative and efficient project management software is shaped by its users: architects.
Becky Gordon, Regional Sustainability Manager UKIME, discusses how Interface is extending the life cycle of its products, and the need for closer collaboration between architects and manufacturers.Â
Kensington Blinds discusses how its high-performance exterior blinds can help architects meet net zero regulations.
Dow’s UK Auditor Chris Fletcher discusses the Dow Quality Bond Scheme and what it means for specifiers, fabricators, and installers.
Ben Hancock, Managing Director of Oscar Acoustics, answers readers’ questions on recycled acoustic finishes.
The Rooflight Co explores the art of flat roof buildings and the key role rooflights can play in maximising environmental and aesthetic performance.
Project leaders from Allford Hall Monaghan Morris (AHMM), Eckersley O’Callaghan, Lindner Prater, and Schüco discuss the collaborative processes and technical challenges behind the multiple façades on the acclaimed Norton Folgate development in London, with AT’s Technical Editor John Ramshaw.
HIMACS solid surface in iconic Alpine White, together many other colours, is now SCS certified for recycled content.
What are the key issues and challenges affecting today’s housing market, and how are these influencing the latest thinking in bathroom design? These questions were addressed by a panel of experts at a round table discussion in London hosted by Architecture Today and VitrA.
Luke Davies, Rock Mineral Wool Product Manager for Knauf Insulation, looks at how architects can specify rainscreens that deliver on their designed performance.
