The much-loved South London icon is finally set to be open to the public (for real this time) welcoming visitors into its WilkinsonEyre-refurbished insides on 14 October.
Eric Parry Architects has given a new lease of life to the Grade II* listed St John’s church in Waterloo, which only just survived the Blitz.
Keith Williams charts a programme of bold, creative commissioning that has transformed the London School of Economics’ cramped, fragmented estate into a world-class campus.
Mae has designed a community building that provides well-being and recreational facilities for the later living residents of London’s Morden College in Blackheath. Mary Duggan appreciates a sophisticated, humane design that reflects and anticipates social change.
Richard Lavington applauds New Practice’s sympathetic and intelligent reworking of a vital, multi-use community resource in Glasgow Southside.
Waugh Thistleton associate director Kirsten Haggart reviews the Rhomboid and Ziggurat by Mole Architects, a pair of buildings in the Greenwich Design District with mass timber structures.
Pierre d’Avoine Architects has converted a chapel in rural Umbria into a private house. Louis Mayes explores a project that weaves ecclesiastical structures and spaces into a contemporary home.
Archio has created two ‘super-sized’ villas containing dense infill housing on east London’s historic Becontree Estate. Marwa El Mubark enjoys a contemporary project that builds on the social aspirations of the original designs.
Bob Allies assesses the merits of The Marlo, a suite of apartments by Barbara Weiss Architects that give a new lease of life to a 19th-century block on Marylebone High Street, London.
Architect and photographer David Grandorge visits Feilden Fowles latest project, a dining hall with ecclesiastical proportions designed for Homerton College at the University of Cambridge.
As KAAN Architecten rounds off its two-decade transformation of the Royal Museum of Fine Arts Antwerp, Louis Mayes gives his verdict on the complex insertion of contemporary exhibition and back-of-house spaces with the neo-classical building.
John McAslan + Partners’ sensitive restoration of the much-loved Burrell Collection has improved environmental performance and ensured that the gallery will be enjoyed by future generations, writes Jennifer O'Donnell.Â
