Dispatches from BCO Conference, Milan: Claire Gott
Isabel Allen2025-05-30T17:02:39+01:00Claire Gott from WSP on pushing the boundaries of innovation, nurturing the talent pipeline and looking for learning opportunities in Milan.
Claire Gott from WSP on pushing the boundaries of innovation, nurturing the talent pipeline and looking for learning opportunities in Milan.
Peter Crowther on looking for nuggets from fellow BCO Conference attendees, his new role at Tatton Estate and fortune favouring the bold.
From a section of Robin Hood Gardens, to the only Frank Lloyd Wright interior found outside of the US and a pair of Zaha Hadid-designed shoes: the new V&A East Storehouse by Diller Scofidio + Renfro offers gallery-goers a new museum experience.
Chatillon Architectes’ reinvention of Beauvais’ 1970s tapestry gallery reimagines the cultural site as a layered, flexible destination that connects the Gallo-Roman past with a new civic future.
Helen Hare explains why the lessons to be learnt from Milan's design and fashion industries make it the ideal location for this year's British Council for Offices Annual Conference.
No.113 and No.115 Redchurch Street, Shoreditch, have been restored by Chris Dyson Architects after an in-depth analysis of the original weavers cottages influenced a restoration plan that paired a historic appreciation with contemporary living.
AT chats to Seth Rutt from Studio Multi about dreaming up a new practice during Lockdown and the difference between a pirate shop and a Navy.
Curated by Clare Dowdy and Helen Parton, Roca London Gallery’s latest exhibition explores the transformative potential of ‘meanwhile use’, a growing field in which architects and designers activate underused buildings during moments of urban flux.
AT chats to Ed Murray from Studio Moren about the haunting echo of value engineering and the joys of designing high end hotels.
AT chats to Kirsty Angerer from HLW about the role of the professional ergonomist, the Oxford-Cambridge Growth Corridor, the pressing need for strong leadership and the tension between innovation and human needs.
British artist Alex Chinneck’s latest surreal intervention, unveiled this week at Clerkenwell Design Week, reimagines a typical brick façade as a playful, freestanding arched structure.