Chicago-based artist Theaster Gates has unveiled Black Chapel, a cylindrical gathering space designed with Adjaye Associates as the 21st edition of the annual Serpentine Pavilion in London's Kensington Gardens.
How can residential design cater for today’s lifestyles, while also meeting changing expectations around sustainability, health and wellbeing? This question was addressed by a panel of architects and developers at a round table discussion in London hosted by AT and Geberit.
Jonathan Lowy, Operational Marketing Manager at VMZINC traces the history and technical development of zinc roofing and cladding in Europe from the 19th century to the modern day.
Matte black accessories from Schlüter-Systems deliver a coordinated and modern bathroom aesthetic.
Researcher, writer, urbanist and educator Kat Martindale debunks the misconceptions that prevent architectural practices from undertaking research.
Architect and photographer David Grandorge visits Feilden Fowles latest project, a dining hall with ecclesiastical proportions designed for Homerton College at the University of Cambridge.
Benedetti Architects has been selected to lead the refurbishment of the Royal Institute of British Architects' headquarters at 66 Portland Place, London.
Watch our AT Schüco webinar exploring how we can adapt and improve our existing building stock to meet present and future needs.
Danny Fitzgerald, National Architectural Manager at Schüco UK, and Architecture Today’s Technical Editor John Ramshaw discuss the increasingly important role Cradle to Cradle design and certification is playing in the manufacture and use of the company's facade, window and door systems.
Crossrail – now known as the Elizabeth line – has finally opened to passengers, stretching 118km to connect Reading and Heathrow in the west through central London to Shenfield and Abbey Wood in the east.
Swiss firm Herzog & de Meuron has completed its much-anticipated new campus for the Royal College of Art in Battersea, south west London.
As KAAN Architecten rounds off its two-decade transformation of the Royal Museum of Fine Arts Antwerp, Louis Mayes gives his verdict on the complex insertion of contemporary exhibition and back-of-house spaces with the neo-classical building.
