The Studio in the Woods inspired Zoë Berman to develop her practice as a loose-fit network of freelance collaborators and gave her the skills to launch Part W, an action group that campaigns for gender equality in the built environment.
Josh Fenton reflects on the importance of casual self-reflective writing as a means of opening a door into the ‘other’ part of the architect’s brain and for developing architectural positions and ideas.
UNESCO has struck Liverpool from the World Heritage List, citing irreparable damage by the proposed Liverpool Waters development at the city's historic docks.
Mary Arnold-Forster feels privileged to work with clients who share her interest in houses that tread lightly on the landscape and aspire to live a simpler life.
Drawing on a new Geberit white paper, Sophie Weston, Marketing Manager at Geberit, explores the importance of taking a whole-building approach to acoustic performance, and why the specification chain must take responsibility for product choice across all building services.
As the country emerges from lockdown, the public spaces of what, not so long ago, was an urban no-go zone are the very picture of urban regeneration. Deyan Sudjic gives his verdict on what’s been achieved and what’s been lost.
The Museum of the Home, hitting the right balance between conservation and transformation, the delicate relationship between engagement and education and the role of the museum as an agent of change.
A 40-metre pedestrian and cycle bridge by Matter Architecture spans the bustling A63 road in Hull, extending to form a pair of viewing platforms over the city's docks.
The Rooflight Company’s new neo Advance Skywalk+ walk-on rooflight delivers best-in-market safety as standard.
The Global Free Unit allows architects and students to use their skills to address pressing social issues including displacement and migration. Founder Robert Mull and volunteer Elizabeth Cunningham discuss bridging the gap between academia and activism.
Hutchinson & Partners has refurbished the neoclassical Victoria House building on London's Bloomsbury Square, transforming it into a refined oak- and marble-lined co-working office.
Is the Lloyd’s building a monument to reason or just a wilful mess? Contributing editor Ian Volner hazards an irreverent guess as to the motives behind Richard Rogers’ inscrutable design.
