At Regenerative Design 2026 you can see a major free exhibition bringing together work from more than 100 practices in this year’s Regenerative Architecture Index.
For Mike Russum of Birds Portchmouth Russum, regeneration starts with joy: bringing together climate, water, planting and biomimicry to create adaptable places that work more like healthy ecosystems than isolated buildings.
Watch the AT webinar, in partnership with Promat, exploring how architects, engineers, manufacturers and legal specialists are addressing the challenges of integrating passive fire protection into retrofit, renovation and change-of-use projects.
Tim James, National Specification Manager at VEKA, answers readers’ questions on balancing thermal performance and overheating when specifying windows and doors under Part L and Part O of the Building Regulations.
Gerry Hogan of Collective Architecture asks what it means to be a steward rather than an owner, embedding social and environmental responsibility in the practice’s legal structure, succession and everyday culture.
Bamboo: vegetable carbon fibre, climate solution and a British crop. Neil Thomas of Atelier One asks what we can learn from nature’s 400-million-year head start in engineering.
Feilden Clegg Bradley Studios has completed the University of Bristol’s Temple Quarter Enterprise Campus, creating a new civic gateway that brings teaching, research and public life together beside Temple Meads station.
What can a soap film teach us about concrete construction? Ian Poole of Elliott Wood discusses biomimicry, material reuse in a push to make structural engineering less extractive and more regenerative.
BakerBrown Studio, Collective Works, Groupwork, Webb Yates, UKGBC and Rowland Keable of Rammed Earth join the line-up at a seminar on whole life carbon and adaptive reuse delivered in partnership with HG Matthews on the morning of Tuesday 20th October as part of Regenerative Design 2026.
Studio KO has transformed a 1912 tram depot and diesel station in Old Tashkent into Uzbekistan’s first permanent institution for contemporary art, retaining the character of the industrial complex while introducing new galleries, public spaces and facilities for research and cultural exchange.
From Broadgate to the studio garden and experimental earth construction, Tom Greenall and Nicole Abernethy of DSDHA explore how testing ideas at different scales can turn landscape, biodiversity and material innovation into everyday practice.
