Environmental intent
AT Editor2022-04-04T09:29:45+01:00PEFC certification marks a proud milestone in Recticel’s sustainable ambition.
PEFC certification marks a proud milestone in Recticel’s sustainable ambition.
London School of Architecture founder and former CEO Will Hunter on Cambridge, Massachusetts, where he is spending the year as one of Harvard University's Loeb Fellows.
Threefold Architects has extended and remodelled an Edwardian home in Muswell Hill, north London, adding a contemporary extension behind the restored red brick facade to create a "house of two halves".
Grafton Architects' Town House building for Kingston University in London is among five finalists for this year's EU Mies Award, which is given to the best building completed in Europe within the last two years.
Loader Monteith has reconfigured a Victorian merchant's house outside Glasgow to create a home for an architectural designer and ceramicist, and added a blackened timber pottery studio.
5th Studio has converted a former vehicle testing facility into an open-access factory for makers as part of the £6 billion Meridian Water development in Enfield, north London.
Steven Vincent, Major Projects Manager at Eco Green Roofs (EGR), in conversation with Architecture Today’s Technical Editor John Ramshaw, discusses best practice design for the innovative SolarNature roof system from SIG Design & Technology (SIG D&T) and EGR.
Matheson Whiteley has transformed the home of not-for-profit arts organisation Studio Voltaire in Clapham, south London. Nana Biamah-Ofosu admires the ingenuity and restraint of a thoughtful remodelling that anchors the building in its community and creates the conditions for creativity to thrive.
Coffey Architects has completed a translucent, saw-tooth education building for Norwich City College's technology, engineering and design courses.
The transformation of New Court at Trinity College, Cambridge, is a textbook retrofit of one of our most distinguished listed buildings.
Foster + Partners has designed a museum of Roman antiquities for the city of Narbonne in the south of France. Alessandra Fanari enjoys the ambiguities of a sophisticated building where the distinction between architecture and exhibits is decidedly blurred.